2017 Guest Artist
Augusta Read Thomas
The music of Augusta Read Thomas (b. 1964 in New York) is nuanced, majestic, elegant, capricious, lyrical, and colorful — "it is boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music." (Philadelphia Inquirer)
In February 2015, music critic Edward Reichel wrote, "Augusta Read Thomas has secured for herself a permanent place in the pantheon of American composers of the 20th and 21st centuries. She is without question one of the best and most important composers that this country has today. Her music has substance and depth and a sense of purpose. She has a lot to say and she knows how to say it — and say it in a way that is intelligent yet appealing and sophisticated."
The New York Times article of March 6, 2015 states that Thomas had the distinction of having her work performed more frequently in 2013-2014 than any other living ASCAP composer, according to statistics from the performing rights organization. Former Chairperson of the American Music Center, she serves on many boards, is a generous citizen in the profession at large, and, according to the American Academy of Arts and Letters, "has become one of the most recognizable and widely loved figures in American Music."
A Grammy winner, her impressive body of works embodies unbridled passion and fierce poetry. The New Yorker magazine called her "a true virtuoso composer." Championed by such luminaries as Barenboim, Rostropovich, Boulez, Eschenbach, Salonen, Maazel, Ozawa, and Knussen, she rose early to the top of her profession.
An influential teacher at Eastman, Northwestern, Tanglewood, and Aspen Music Festival, she is only the 16th person to be designated University Professor at the University of Chicago (one of only seven currently holding the title). Augusta said, "Teaching is a natural extension of my creative process and of my enthusiasm for the music of others."
Thomas was the longest-serving Mead Composer-in-Residence with the Chicago Symphony, for Daniel Barenboim and Pierre Boulez, from 1997 through 2006. This residency culminated in the premiere of Astral Canticle, one of two finalists for the 2007 Pulitzer Prize in Music. During her residency, Thomas not only premiered nine commissioned orchestral works, but was also central in establishing the thriving MusicNOW series, through which she commissioned and programmed the work of many living composers.
Recent and upcoming commissions include those from the Boston Symphony, the Utah Symphony, Wigmore Hall in London, JACK quartet, Third Coast Percussion, Tanglewood, the Danish Chamber Players, Notre Dame University, and the Fromm Foundation. She won the Ernst von Siemens Music Prize, among many other coveted awards. She is a member of the American Academy of Arts and Sciences, and a member of the American Academy of Arts and Letters.
Ms. Thomas studied composition with Oliver Knussen at Tanglewood (1986, 1987, 1989); Jacob Druckman at Yale University (1988); Alan Stout and Bill Karlins at Northwestern University (1983-1987); and at the Royal Academy of Music in London (1989). She was a Junior Fellow in the Society of Fellows at Harvard University (1991-94), and a Bunting Fellow at Radcliffe College (1990-91). Thomas has also been on the Board of Directors of the American Music Center since 2000, as well as on the boards and advisory boards of several chamber music groups. She was elected Chair of the Board of the American Music Center, a volunteer position that ran from 2005 to 2008. She is University Professor (one of six University Professors) at The University of Chicago. Augusta was MUSICALIVE Composer-in-Residence with the New Haven Symphony, a national residency program of The League of American Orchestras and Meet the Composer. Augusta has been on the Board of the ICE (International Contemporary Ensemble) for many years; is a member of the Advisory Committee of the Alice M. Ditson Fund; is on the Board of Trustees of The American Society for the Royal Academy of Music; is a Member of the Conseil Musical de la Foundation Prince Pierre de Monaco; and is on the Eastman School of Music's National Council.
Mari Kawamura is a concert pianist whose curiosity and wide-ranging interests have taken her in many directions.
Her repertoire includes pieces by William Byrd, late Scriabin, Xenakis, Cage and several contemporary Japanese composers. She has been collaborating with composers for many years and has premiered many works by young composers.
She has appeared in the major festivals, such as Tanglewood Music Center, Spoleto Festival USA and the Darmstadt International Summer Course and has given both solo and chamber music concerts in various venues, including Jordan Hall (Boston), Regent Hall (London) and Kirsten Kjær Museum (Denmark). Her 2013 performance of Xenakis’s Dikthas at the SICPP in Boston was described as "an unrelenting volcanic eruption" by NEWMUSICBOX.
Kawamura holds a Master’s degree from the Royal Academy of Music, where she achieved the DipRAM prize for her outstanding final recital. Her master’s thesis “Realization of Music for Piano 21-36” focused on “performers’ own discretion in Cage’s music, which is indeterminate with respect to its performance.” Her teachers included Vadim Sakharov and Tatiana Sarkissova.
After studying with Stephen Drury at the New England Conservatory in the Graduate Degree Program, Kawamura is now pursuing her DMA degree under Aleck Karis at the University of California, San Diego.
2017 Schedule and Programs
- Monday, March 6, 2017
Mireia Frutos, piano and Nathan Fischer, classical guitar
Monday, March 6, 2017
8 pm, Milne Auditorium
When the Bough Breaks... (2005)
The Hinchinbrook (2003), Riffs for Classical Guitar and Digital Delay
Jovian Moons (2001) for Piano and Classical Guitar
Sonata No. 6, Op. 62 (1991)
Nikolaj Kapustin (b. 1937)
When Bach, Stravinsky, and The Who Met
- Tuesday, March 7, 2017
Mari Kawamura, solo piano
Tuesday, March 7, 2017
8 pm, Milne Auditorium
Sequenza IV (1965-66, rev. 1993)
Luciano Berio (1925-2003)
Mirror Mirror on the Wall (1994)
Rebecca Saunders (b.1967)
Makrokosmos, Volume 1 (1972)
Iannis Xenakis (1922-2001)
- Wednesday, March 8, 2017
UNC Symphony Orchestra: Russell Guyver, Director
Wednesday, March 8, 2017
7:30 pm, UCCC Monfort Concert Hall
Featuring “Of Paradise and Light” by Augusta Read Thomas
- Thursday, March 9, 2017
The Music of Augusta Read Thomas
Thursday, March 9, 2017
7:00 pm Pre-Concert Talk with Augusta Read Thomas
7:30 pm Concert, UCCC Monfort Concert Hall
Cantos for Slava (Brett Andrews, cello and
Mari Kawamura, piano)
Incantations (Bélen Hernandez, solo violin)
Six Etudes for Solo Piano (Mari Kawamura)
Selene Moon Chariot Dances (UNC Percussion Ensemble with UNC student String Quartet)
Of Paradise and Light (UNC Symphony Orchestra, Russell Guyver, conductor)
Carillon Sky (Jubal Fulks, solo violin with
UNC Symphony Orchestra, Nicholas Gilmore, conductor)
- Friday, March 10, 2017
Round Table Discussion with Augusta Read Thomas and selected composers of the Open Space Festival Call for Scores
Friday, March 10, 2017
2:00 pm, Foundation Hall
Winners of the Open Space Festival Call for Scores
Friday, March 10, 2017
5:00 pm, Foundation Hall
*Final program order and personnel TBA
Running Towards Empty for percussion sextet
The Long Distance for solo cello
FeRal for alto saxophone, violin, viola, and cello
Abstraction with Reference for clarinet, violin, and piano
Quilt I for flute, clarinet, violin, and cello
Epitaph on the World for mezzo-soprano, piano, and vibraphone
There Are Things to Be Said for flute, oboe, and piano
Cloud Peak for viola and piano