Open Space Festival of New Music

March 6-10, 2017

The Open Space Festival of New Music is an annual event sponsored by the composition section of the UNC School of Music and the Office of the Dean of the College of Performing and Visual Arts. Past featured composers include Christian Wolff, Alvin Lucier, Gabriela Ortiz, Jean-Claude Risset, Kyle Gann, and Paul Rudy. Interpreters have included the Callithumpian Consort, the Jake Schepps Quintet featuring mandolinist Matt Flinner, pianist Stephen Drury, French electric guitarist Jean-Marc Montera and French saxophonist Raphael Imbert. Open Space 2017 features Pulitzer-nominated guest composer Augusta Read Thomas.

Call for Scores

A hallmark event of the Festival is our annual call for scores. This call goes out in the fall and results in the participation of composers from all over the nation—applicants may range from high school age composers to professionals.

Learn more about the Open Space Festival Call for Scores


2017 Guest Artists

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Augusta Read Thomas

The music of Augusta Read Thomas (b. 1964 in New York) is nuanced, majestic, elegant, capricious, lyrical, and colorful — "it is boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music." (Philadelphia Inquirer)

In February 2015, music critic Edward Reichel wrote, "Augusta Read Thomas has secured for herself a permanent place in the pantheon of American composers of the 20th and 21st centuries. She is without question one of the best and most important composers that this country has today. Her music has substance and depth and a sense of purpose. She has a lot to say and she knows how to say it — and say it in a way that is intelligent yet appealing and sophisticated."

The New York Times article of March 6, 2015 states that Thomas had the distinction of having her work performed more frequently in 2013-2014 than any other living ASCAP composer,

according to statistics from the performing rights organization. Former Chairperson of the American Music Center, she serves on many boards, is a generous citizen in the profession at large, and, according to the American Academy of Arts and Letters, "has become one of the most recognizable and widely loved figures in American Music."

A Grammy winner, her impressive body of works embodies unbridled passion and fierce poetry. The New Yorker magazine called her "a true virtuoso composer." Championed by such luminaries as Barenboim, Rostropovich, Boulez, Eschenbach, Salonen, Maazel, Ozawa, and Knussen, she rose early to the top of her profession.

An influential teacher at Eastman, Northwestern, Tanglewood, and Aspen Music Festival, she is only the 16th person to be designated University Professor at the University of Chicago (one of only seven currently holding the title). Augusta said, "Teaching is a natural extension of my creative process and of my enthusiasm for the music of others."

Thomas was the longest-serving Mead Composer-in-Residence with the Chicago Symphony, for Daniel Barenboim and Pierre Boulez, from 1997 through 2006. This residency culminated in the premiere of Astral Canticle, one of two finalists for the 2007 Pulitzer Prize in Music. During her residency, Thomas not only premiered nine commissioned orchestral works, but was also central in establishing the thriving MusicNOW series, through which she commissioned and programmed the work of many living composers.

Recent and upcoming commissions include those from the Boston Symphony, the Utah Symphony, Wigmore Hall in London, JACK quartet, Third Coast Percussion, Tanglewood, the Danish Chamber Players, Notre Dame University, and the Fromm Foundation. She won the Ernst von Siemens Music Prize, among many other coveted awards. She is a member of the American Academy of Arts and Sciences, and a member of the American Academy of Arts and Letters.

Ms. Thomas studied composition with Oliver Knussen at Tanglewood (1986, 1987, 1989); Jacob Druckman at Yale University (1988); Alan Stout and Bill Karlins at Northwestern University (1983-1987); and at the Royal Academy of Music in London (1989). She was a Junior Fellow in the Society of Fellows at Harvard University (1991-94), and a Bunting Fellow at Radcliffe College (1990-91). Thomas has also been on the Board of Directors of the American Music Center since 2000, as well as on the boards and advisory boards of several chamber music groups. She was elected Chair of the Board of the American Music Center, a volunteer position that ran from 2005 to 2008. She is University Professor (one of six University Professors) at The University of Chicago. Augusta was MUSICALIVE Composer-in-Residence with the New Haven Symphony, a national residency program of The League of American Orchestras and Meet the Composer. Augusta has been on the Board of the ICE (International Contemporary Ensemble) for many years; is a member of the Advisory Committee of the Alice M. Ditson Fund; is on the Board of Trustees of The American Society for the Royal Academy of Music; is a Member of the Conseil Musical de la Foundation Prince Pierre de Monaco; and is on the Eastman School of Music's National Council.


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Mari Kawamura

Mari Kawamura is a concert pianist whose curiosity and wide-ranging interests have taken her in many directions.

Her repertoire includes pieces by William Byrd, late Scriabin, Xenakis, Cage and several contemporary Japanese composers. She has been collaborating with composers for many years and has premiered many works by young composers.

She has appeared in the major festivals, such as Tanglewood Music Center, Spoleto Festival USA and the Darmstadt International Summer Course and has given both solo and chamber music concerts in various venues, including Jordan Hall (Boston), Regent Hall (London) and Kirsten Kjær Museum (Denmark). Her 2013 performance of Xenakis’s Dikthas at the SICPP in Boston was described as "an unrelenting volcanic eruption" by NEWMUSICBOX.

Kawamura holds a Master’s degree from the Royal Academy of Music, where she achieved the DipRAM prize for her outstanding final recital. Her master’s thesis “Realization of Music for Piano 21-36” focused on “performers’ own discretion in Cage’s music, which is indeterminate with respect to its performance.” Her teachers included Vadim Sakharov and Tatiana Sarkissova.

After studying with Stephen Drury at the New England Conservatory in the Graduate Degree Program, Kawamura is now pursuing her DMA degree under Aleck Karis at the University of California, San Diego.


Nathan Fischer

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Mireia Frutos

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Jubal Fulks

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2017 Schedule

  • Monday, March 6, 2017

    Mireia Frutos, piano and Nathan Fischer, classical guitar

    Monday, March 6, 2017
    8 pm, Milne Auditorium

    Romanza (2002)                                                                                                                 Aaron Travers (b. 1975)
    Ruvido (2002)                                                                                                                                                 
    When the Bough Breaks... (2005)

    The Hinchinbrook (2003), Riffs for Classical Guitar and Digital Delay                     Nigel Westlake (b. 1958)

    Jovian Moons (2001) for Piano and Classical Guitar                                                                   Nigel Westlake

    1. Ganymede
    2. Europa
    3. Callista
    4. Io


    Etude 1 (2015)                                                                                                                        Paul Elwood (b. 1958)

    Rapsodia (2016)                                                                                                                  David Pellejer (b. 1987)

    Sonata No. 6, Op. 62 (1991)                                                                                          Nikolaj Kapustin (b. 1937)

    When Bach, Stravinsky, and The Who Met                                                                         Allan Segall (b. 1959)

  • Tuesday, March 7, 2017

    Mari Kawamura, solo piano

    Tuesday, March 7, 2017
    8 pm, Milne Auditorium

    Sequenza IV (1965-66, rev. 1993)                                                                               Luciano Berio (1925-2003)

    Mirror Mirror on the Wall (1994)                                                                              Rebecca Saunders (b.1967)

    Makrokosmos, Volume 1 (1972)                                                                                     George Crumb (b.1929)

    Evryali (1973)                                                                                                                Iannis Xenakis (1922-2001)

  • Wednesday, March 8, 2017

    UNC Symphony Orchestra: Russell Guyver, Director

    Wednesday, March 8, 2017
    7:30 pm, UCCC Monfort Concert Hall
    Featuring “Of Paradise and Light” by Augusta Read Thomas

    Piano Concerto                                                                                                                            Robert Schumann

    Of Paradise and Light                                                                                                         Augusta Read Thomas

    The Rite of Spring                                                                                                                              Igor Stravinsky

  • Thursday, March 9, 2017

    The Music of Augusta Read Thomas

    Thursday, March 9, 2017
    7:00 pm Pre-Concert Talk with Augusta Read Thomas
    7:30 pm Concert, UCCC Monfort Concert Hall

    Cantos for Slava (Brett Andrews, cello and Mari Kawamura, piano)

    Incantations (Bélen Hernandez, solo violin)

    Six Etudes for Solo Piano (Mari Kawamura)

    Selene Moon Chariot Dances (UNC Percussion Ensemble with UNC student String Quartet)

    Of Paradise and Light (UNC Symphony Orchestra, Russell Guyver, conductor)

    Carillon Sky (Jubal Fulks, solo violin with UNC Symphony Orchestra, Nicholas Gilmore, conductor)

  • Friday, March 10, 2017

    Round Table Discussion with Augusta Read Thomas and selected composers of the Open Space

    Festival Call for Scores

    Friday, March 10, 2017
    2:00 pm, Foundation Hall


    Winners of the Open Space Festival Call for Scores

    Friday, March 10, 2017
    5:00 pm, Foundation Hall
    *Final program order and personnel TBA

    Running Towards Empty for percussion sextet                                                                          Bjorn Berkhout

    The Long Distance for solo cello                                                                                                                      Li Bo

    FeRal for alto saxophone, violin, viola, and cello                                                                             Sakari Dixon

    Abstraction with Reference for clarinet, violin, and piano                                                             Andrew May

    Quilt I for flute, clarinet, violin, and cello                                                                                   Katherine Saxon

    Trinity for piano                                                                                                                             Joseph Scardetta

    Epitaph on the World for mezzo-soprano, piano, and vibraphone                                            Conner Shaw

    There Are Things to Be Said for flute, oboe, and piano                                                                 Ingrid Stölzel

    Cloud Peak for viola and piano                                                                                                         Todd Swingle