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Select Faculty Vergie Amendola Erik Applegate Gray Barrier Brad Behn Jonathan Bellman Diane Bolden-Taylor Ron Brooks Alise Brown Jill Burleson Jason Byrnes H. David Caffey Andy Dahlke Galen Darrough Janice Dickensheets Stefan Eckert Robert Ehle Paul Elwood James Fittz Richard Fuchs Russell Guyver James Hall Chares Hansen Al Harding Caleb Harris Errol Haun Sara Heimbecker Marian Hesse William Hinkie Bil Jackson Deborah Kauffman Steve Kovalcheck Dana Landry Aaron Liu-Rosenbaum Brian Luedloff Stephen Luttman Melissa Malde Lesley Manring Steve Marx Richard Mayne Sarah Mellander Charlotte Mills John Mills Mark Montemayor Kathy Moore Rebecca Oertli Jason Olson Toby Rush Judy Sapegin Ken Singleton Mike Smith Dave Stamps Debra Throgmorton James Vaughn Luis Vicaria Ben Waters Lei Weng Kevin Whalen Jim White Juliet White-Smith Nat Wickham William Wilson

Dr. Aaron Liu-Rosenbaum

1. Assistant Professor of Music
   Director of Music Technology
   Frasier 84
   970-351-1356
   aaron.rosenbaum@unco.edu

Aaron Liu-Rosenbaum is Assistant Professor of Music and Director of Music Technology at the University of Northern Colorado, where he teaches courses in music theory and music technology, and oversees the recording studio, keyboard lab and computer music lab. He joined the university in 2009 after teaching at Hofstra University, The City College of New York, Brooklyn College, Queens College, and William Paterson University.

He holds a Ph.D. in music composition and a Certificate in Interactive Technology and Pedagogy from the Graduate Center of the City University of New York, an M.A. in music theory and a B.A. in French Comparative Literature from Columbia University in New York, a B.Mus. in classical composition from the New England Conservatory of Music, and a Certificate in Audio Engineering from the New School University in New York.

His professional interests lie in digital audio and composition, pedagogical technology, and popular music analysis. His book, “Ozzy Osbourne: The Randy Rhoads Years” is published with Cherry Lane Publishing, and he is presently researching recording studio aesthetics in the music of Led Zeppelin. His compositions have been performed at venues in New York, Massachusetts, Maryland, and Paris.