Carissa Reddick
Director, School of Music; Associate Professor of Music Theory
School of Music
College of Performing and Visual Arts
Contact Information
Education
- Ph.D., Music Theory and History, University of Connecticut
- M.M., Music Theory and Performance, The Hartt School, University of Hartford
- B.M., Music Performance, Texas Christian University
Professional/Academic Experience
- Associate Professor of Music Theory, UNC, 2010–Present
- Graduate Coordinator for School of Music, UNC, 2015–2022
- Visiting Lecturer, University of Oklahoma, 2009–2010
Other Experience
- AP Music Theory Reader, 2014–Present
- Section Cello, Eastern Connecticut Symphony Orchestra, 2001–2009
Research/Areas of Interest
- Sonata form in the late nineteenth century
- Linear analysis
- Music theory pedagogy
Publications/Creative Works
- "Introducing Musical Meaning through Popular Music." College Music Symposium 58.2
(2018).<https://symposium.music.org/index.php/58-2>. DOI:https://doi.org/10.18177/sym.2018.58.sr.11385
- Ninth European Music Analysis Conference (EuroMAC), "Double Function Sonata Forms
in Franck's Late Chamber Music," University of Strasbourg, Strasbourg, France. (July
1, 2017).
- Rocky Mountain Music Scholars Conference, "Beethoven's Sympathetic Voice and its Legacy,"
Rocky Mountain Society for Music Theory, University of Utah, Salt Lake City. (April
7, 2017).
- Rocky Mountain Music Scholars Conference, "Continuation or New Beginning? Non-Congruence
at the Point of Recapitulation," University of New Mexico, Albuquerque, NM. (April
22, 2016).
- "Transcending Palestrina: The Blend of Old and New Styles in Liszt's Missa Choralis."
Journal of the American Liszt Society, UMI 66 (2015): 73–96.
Honors and Awards
2019 Inspiring Faculty Nominee, Center for Women’s and Gender Equity
