2nd International Symposium on Musical Topics and Topic Theory
May 22 - 24, 2025 University of Northern Colorado Greeley, ColoradoDeadline for Submission: February 1, 2025
From its contacts with worship, poetry, drama, entertainment, dance, ceremony, the military, the hunt, and the life of the lower classes, music in the early 18th century developed a thesaurus of characteristic figures, which formed a rich legacy for classic composers. Some of these figures were associated with various feelings and affections; others had a picturesque flavor. They are designated here as topics—subjects for musical discourse.
—Leonard G. Ratner (1980)
The University of Northern Colorado is once again proud to host this conference dedicated to exploring and celebrating scholarship devoted to musical topics and topic theory. We encourage submissions from scholars, scholar-performers, and students in the areas of topic theory (in its broadest sense) and its many potential applications: music analysis, music and meaning, and performance as applied to a diversity of musics including, but not limited to, Western art music, music and film, popular music, video-game music, etc. Performance-based scholarly presentations are also welcome.
The conference will be in person, enabling delegates to engage fully in idea exchanges, networking, and social interactions. Virtual presentations may be considered under special circumstances; however, fully virtual attendance will not be a possibility.
Call for Papers
Individual Paper Presentations
To submit an individual paper, please send an abstract with a maximum of 350 words. Undergraduate students must also submit a letter of support from their primary research advisor.
Paper presentations will be 20 minutes long, followed by a 10-minute question and answer session. Abstracts should include the title of the paper but omit author details. In the body of the email, please include author details, institutional affiliation (where relevant), email address, paper title, and any technological requirements, including PowerPoint or Keynote projection, piano or keyboard.
Individual Lecture Recitals
To submit an individual lecture recital, please send an abstract with a maximum of 350 words and a link to an audio sample to demonstrate the proficiency of the performer. The duration of this recording should be a minimum of 2 minutes, but no longer than 5 minutes. Preference will be given to submissions that include a recording of the proposer performing works from their presentation. When this is not possible, the submitted example must be of a comparable style, genre, or historical period. Undergraduate students must also submit a letter of support from their primary research advisor.
Lecture recitals may range in length from 30-45 minutes and should offer an appropriate balance of lecture and performance elements. Various constraints limit the number of lecture recitals that may be programmed. Applicant should specify the length in their abstracts. Abstracts should include the title of the paper but omit author details. In the body of the email, please include author details, institutional affiliation (where relevant), email address, paper title, and any technological requirements, including PowerPoint or Keynote projection, piano or keyboard.
Submission materials should be sent to Marie Sumner Lott (msumnerlott@gsu.edu) no later than February 1, 2025 (U.S., Eastern Standard Time Zone). Please specify “International Symposium on Musical Topics and Topic Theory submission” in the email subject.
Submissions will be evaluated anonymously according to three criteria: the relevance of the author’s central arguments to existing scholarship, the extent to which the paper offers an original contribution to the scholarly community, and the clarity and coherence in which the argument is presented.
Deadline for submissions: February 1, 2025
Notifications of acceptance will be sent to presenters on or about March 1, 2025
Preliminary program will be available by mid-April, 2025.
